Fabric of Life

helping traditional skills flourish in our modern world

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Eva Gaultney: On Broom-Making

Eva Gaultney

While you may know Eva Gaultney as our Scandinavian weaving teacher-in-training, working alongside of and learning from Becky Ashenden, we also know her for her skills in making brooms from broomcorn and stalks. Long before she ever found her way to western Massachusetts, she was trained in this craft, and when we learned this about her, we could not have been more excited. Eva’s broomcorn making workshops are a tremendous opportunity to come together in the fresh air in an intimate setting – classes are small, limited to 6 – maintaining all that is needed for a safe, welcoming, and warm learning environment. 

If you’d like to learn more about this craft, feel free to explore the video she shared with us for our Virtual Barnfest in 2020, and be sure to read more about Eva below. She truly is a wonderful teacher and joyful, knowledgeable, and warm-hearted individual. 

How did you come to learn the craft of making brooms from broomcorn?

I learned how to make brooms from master broommaker, Chris Robbins while I attended Berea College. It was my labor position only for a year, but I tried to learn all that I could from Chris.

What is it that you appreciate and enjoy about the process and the end product?

I loved working with my hands, and I felt that I was helping to preserve a unique traditional craft. The movement of weaving over and under the broom stalk is almost meditative for me now. I enjoy coming up with new designs and techniques to try, and once you figure out a couple tricks and understand the basics of working with broomcorn and stalks, then most of the time your imagination is the limit. 

What do you enjoy about teaching other people to make these brooms?

Handmade broom corn brooms

I enjoy teaching other people how to make brooms because I want them to feel that this is an approachable craft. It is also fun to teach this craft with the material that originated in this area (broomcorn was first grown in Hadley, MA). I hope I can nurture an interest in the hopes that it may grow and help preserve this tradition/craft. 

I like teaching how to make the combo broom because you learn the basic technique, and then you get to practice it twice more. The student will find that the first broom is following along with the instruction, the second is more self lead with occasional cues/reminders, and the third is often independent. I find that this is the best way for the student to pick up the techniques, finally feel comfortable with the technique, and hopefully feel they can continue independently.  It is quick and you have a cute and functional set of handmade brooms.

Why are excited to be doing this workshop at Fabric of Life?

I am excited to help in Fabric of Life’s mission to help traditional skills flourish in this modern world. 

What level of skill is required for this workshop? Is it possible for children (10 and older) to attend with a grown-up to help?

This is a beginner workshop, no previous experience in broommaking is required. Children 10 and older can participate, but being accompanied by an adult for supervision or assistance may be needed since a sharp knife is used in the process.

Check our program calendar for upcoming broom making workshops!

In Their Own Words: Väv Immersion Weaving Alumni

When Eva, Kiri, and Christine arrived to the Väv Immersion program, they came with an open mind and a willingness to learn from a master in the Scandinavian weaving tradition and from each other. They didn’t expect that they would be met with the opportunity to build a deeper understanding of Scandinavian culture, forge friendships that would carry them beyond their time together in the program, or be celebrated in their mistakes on the looms with such joy and enthusiasm. 

While the technical aspects of what one learns from Immersion are far and wide, our alumni often comment that their experience in this time of learning was rooted in the incredible opportunity to build relationships with each other, experience a slower and more mindful way of living, examine the value of being able to create functional and beautiful objects for daily life, and step away from their personal worlds to reflect on what was meaningful to them and to then bring that back into their lives in new and revitalized ways after the program ended. 

We’re honored to have a few moments of reflection from some alumni of our Väv Immersion program, speaking to what their experience of Immersion was, what they took away from it, and what they’re doing now. 

Kiri Fagen-Ulmschneider (she/her/hers), from our third cohort, is a weaver who makes beautiful and useful things. She is based in Illinois and is building her ‘everything fiber-related’ business on Etsy. She was also gracious enough to share a studio tour with us over the summer, and has a blog that she regularly updates, which includes entries from her time of attending Immersion. You can find her on Instagram @kirimade

Christine Tsai (she/her/hers), from our second cohort, has continued her weaving as a hobby and is developing her skills and working on how to express things through cloth. She considers it a never-ending exploration of a lifetime that she is excited to be engaging in. You can find her on Instagram @weavingbug.

Eva Gaultney (she/her/hers), from our third cohort, made the move from her home in the South to western Massachusetts after her time with the Immersion program ended. These days she is working closely with Becky Ashenden as a teacher-in-training, and while the pandemic prevented her from the classroom experience, she has been studying historic textiles and learning how to replicate them on the loom, while eagerly awaiting the opportunity to be a part of teaching in-person. She is part of a production weaving initiative to develop wool blankets from local sources, is studying how looms are built and working on how to make them even better, teaching Broomcorn classes for Fabric of Life, and will spend time this growing season learning how to manage the garden at Bassett Road Homestead as part of an educational opportunity with Fabric of Life. You can find her on Instagram @athreadforweavingstuff.

Growing Great Food and Fiber with Fabric of Life!

Abundant vegetables growing in the Fabric of Life garden

Every living entity needs to eat – and eat well in order to thrive. This includes you, your family, your community – and the plants and animals that feed you and provide fiber for your textile needs! And you can do something about that… This year, Fabric of Life is introducing the essential skills needed to grow great veggies (and other plants for those pesky pollinators that are so essential) to our community – and you’re invited to come along with us on the journey. For those of you more interested in fiber than food – the quality of any natural fiber you work with is also based on the health of the plants or animals that provide that fiber. It’s a fascinating world under your feet!! 

Almost everyone who’s run a home garden has had problems with insects and diseases – ever heard of powdery mildew, blossom end-rot and potato beetles? Did you know that super healthy plants don’t attract insects or diseases? Even marginally healthier plants are resistant to quite a lot! Heck of a concept but true for all living beings. However, just like you can keep your own immune system up with care, you can do the same for all of the plants and animals in your charge. The question is – how to do it!!!!!

Understand Your Garden

Cherry tomatoes in the Fabric of Life Garden

We’re going to start with a learning opportunity with the garden here at Fabric of Life (80 Bassett Road) on May 1st at 9:00AM. We’ll learn the strengths and weaknesses of the site we’ve chosen to work with, learn its history, find out what we need to do to increase its capacity to produce great food and start the work of the growing season. This work will continue throughout the season with virtual program hours at the critical points in garden management. The four virtual sessions will take place from 7 – 8PM EST on June 2nd, July 7th, August 4th, and September 1st, 2021. And as a final hurrah for the year we will offer a fantastic program on October 23rd from 9:30AM – 12:30PM EST, where we can all build the basics of our soil reserves for the following year!

Join Our Gardening Community

Planting potatoes in the Fabric of Life garden

We’re inviting all of our community members to join us in creating an on-going garden story, even if you are not able to join us in-person or virtually, that includes the home farm garden and every other garden in our network. Your home gardens have a story to tell and we want to hear those stories – your triumphs, your challenges – and the food you create with what you can grow. Add your story to our brand new Facebook group or post your garden on Instagram and use #GardenWithFOL so we can all share the fun and frustration of learning something new! Join us as we all learn to master a new skill set – Growing Great Food and Fiber!!

Musician in Residence: Aaron Kisslinger

Musician Aaron Kisslinger at Fabric of Life

Aaron Kisslinger (they/them/their) was a Musician-in-Residence at Fabric of Life, in partnership with Bassett Road Homestead LLC. They stayed on the land at Bassett Road for most of February and the early part of March, taking time and space away to organize their next steps after the pandemic unraveled their travel and performance plans for the past year.

Aaron grew up in New York City in the Bronx – Riverdale, to be exact, and has been playing music for as long as they can remember. Their childhood was filled with opportunities to be connected to music from Eastern Europe, including Balkan music, as well as the Jewish music scene. For them, music and community have always been an intertwined experience. 

From there they went to Oberlin College in Ohio and studied music as communal social change, exploring how music is connected to transmission of identity through various oral history interviews. These days they write, sing, produce, create original pop music, and play in brass both in the Roman/Balkan style and in the New Orleans Second Lines style. They are constantly trying to find the bridges between different cultures in their music, regardless of the style they are playing in, noting that other styles and traditions always inform their work. 

Musician Aaron Kisslinger at Fabric of Life

Aaron grew up Jewish Reconstructionist, which was largely about individual interpretation with the essence of asking questions without the hierarchical infrastructure. The biggest draw for them in this religion, as a young adult, was the music. Their father drummed for chanting and it was there that they learned how to blow the shofar – an experience that later became the basis of building relationships to the horns that they now play. This was Aaron’s ancestral lineage, but it didn’t become meaningful until they became older and were able to recognize it for themself and begin to own it within their own musical endeavors. 

When asked about folk traditions and their time at Fabric of Life, Aaron talked about the parallels they see between their music and the folk traditions that we teach here. For them, the parallel is found within the transmission of collective folk traditions and how to reinterpret them and express yourselves within them; this is similar to what they see in their explorations in music-making.

In their own practice, Aaron sees music as an act of self-liberation – as a queer person, as someone who is not taking any of the practices of the collective culture at face value and is able and happy to take a step back to think about how they want to embody this. They view creating as an act of freeing themselves regardless of what is being made or if it is being shown to others. Music is intangible and powerful in their experience, holding an enormous power that can’t be taken away, something that can both be deeply personal and hold emotional resonance that also feeds the collective. 

Musician Aaron Kisslinger at Fabric of Life

Aaron named being able to be a Musician-in-Residence for Fabric of Life as a privilege; having grown up in a city and spent most of their life making music in an apartment, being able to walk out into the field and play their horn, or take a walk in the woods and then return to the cabin and records what has been written, was both enjoyable and filled with freedom. And being surrounded by the patterning, geometry and symmetry of Scandinavian textiles inside of the cabin, created with such care, also served to inspire them in their time in the residency. It was also an opportunity to drive home the reality of what it takes to sustain life, as they took on learning how to chop wood for the woodstove that kept the cabin warm and other similar life skills to support caring for themselves while staying at Bassett Road. 

We considered it a tremendous opportunity to be able to host Aaron for a residency this winter, feeling strongly that the future of many traditions are in the hands of the younger generations. Aaron’s commitment to their craft, to exploring the cultures and supporting the origins of these traditions, and to reinterpreting it to create a collective experience, lie at the heart of our mission for Fabric of Life. We are thankful that they were able to have the space and time to reflect on their next steps and to once again fill the world with their music and we look forward to seeing what comes next for this young and talented musician.

Video interview with Musician-in-Residence, Aaron Kisslinger:

Connect with Aaron:
Website
Instagram
Facebook
YouTube

A few of the pieces Aaron created or released during their time at Fabric of Life:

Goat Milk Soap at JuJuBee Farm

Elliston Bingham lives with his wife, Kaydee, in Shelburne, Massachusetts. And among his many interests and passions, he maintains a herd of goats in order to produce goat milk soap. You’ll find him as a regular at the Greenfield Farmers market with his wares, with a variety of plain, almond, lavender, tea tree varieties, just to name a few. He also maintains a vegetable garden, and sells his produce alongside of his goat soap at the farmers market. 

Elliston is originally from Jamaica, having traveled here in the early 1990’s and became a citizen of the United States in 2020. And it is clear that he has a deep joy in the life he has built here in Western Massachusetts – always ready to help others and always with a good story to bring laughter to those around him. He has installed solar panels to support his soap-making operations and often creates opportunities for college students and children to learn from his depth and width of knowledge as it relates to goats and soap. 

We’re fortunate to have Elliston as a neighbor in Shelburne, and to be able to enjoy his contributions to the community, the local agriculture economy, and his stories and knowledge so directly and easily. It’s a guarantee that wherever you cross paths with Elliston, there will be plenty of space for connection and learning. We hope that you’ll take some time to connect with him as you find him in our community or online, and we also look forward to learning how we can continue to support small businesses such as his, that are extending these traditions forward for future generations to learn from.

Elliston can be reached by email about his goat milk soap, produce, or goats.

Buildings as Craft

Jeremy Topitzer of Lyonsville Carpenters

Jeremy Topitzer of Lyonsville Carpenters sources material for and builds structures within his community. Timber framing, by design and nature of weight and substance, provides a deep sense of connection to place. Two years ago, Jeremy worked with Fabric of Life to host a workshop on building a timber frame structure at the Bassett Road property. He took the time before that workshop to share why he does what he does. Gratitude to Jennifer Martin, our former Program and Partnership Coordinator for capturing this conversation back then.

“I’ve been thinking how old barns sequester carbon” – keeping old buildings and their timbers functional, dry, and solid means that new materials are not needed to sustain the structure far into the future. And when they are damaged, restoring them continues to sequester carbon. And if a building does need to come down, then intact timbers can be saved and repurposed in another structure, ideally nearby. By striving to use original material, we can almost guarantee that it is local. Buildings in this region were built with what was available locally. 

“As craftspeople, we have the opportunity, and the responsibility, to continue this methodology and mindset. I see the importance of recognizing the global picture of the craft we practice — whatever that may be.” Local timbers of spruce, pine, hemlock, oak, birch – they all have function and purpose in buildings meant to stand the test of time. Jeremy says that for him, studying the impact of his choices adds to a mindful business practice. What matters beyond me? Where does what I do fit in?”

The Big Picture.

Timber frames are rooted in age-old techniques, where each structure is designed according to need and site constraints. In contrast, most modern builders are using carpentry tools and building techniques which were developed from manufacturing processes of the 1950’s.

“I’m using tools and techniques that few other carpenters do.  On a daily basis, I pull out a handsaw, plane, and chisel. It’s as important to preserve craft as it is to preserve buildings – the healthiest part of our culture is hand-craft – that which is passed down from human to human. While this may not be the most lucrative and is not often seen as saving the world, it is in the sense that you are humbling yourself to something. Lack of humility is the reason were in the mess we are in globally. Confining yourself to craft curtails egoism and in that way, through the practice of craft, you are helping to save the world.”

“Through restoration, I witness the craft of the framers before me. I am duplicating and imitating what other builders, whose buildings have stood the test of time, have done before me. I may be 200 years too late, but I’m still learning from them.”

 

Cooking on the Wood Stove with Becky Ashenden

Becky is the founder and executive director of Fabric of Life, as well as the owner of the Vävstuga Weaving School. Sharing a meal with her is an opportunity to revisit the simple and joyful things of life, and to be reminded that things of beauty come in many forms – from the company you keep, to the local farmers and craftspersons around you, to traditional ways of cooking, that can make an evening meal fill your belly and warm your heart. 

Cooking on a woodstove

One of my favorite things about winter (there are many), is cooking on the wood stove. Cooking with a wood stove is an opportunity to slow down after a busy day and it helps to keep our home warm and cozy. 

green and yellow beans, onion, and cherry tomatoes in a cast iron pan

Here we have a mixture of green and yellow beans from our garden, along with a nice large onion from our amazing Natural Roots CSA in Conway all run by horsepower. And I have just thrown in some frozen cherry tomatoes. It’s so easy to pop these in the freezer during the summer months when you can’t keep up with eating them from the garden.

This is a pot of cooked up Einkorn (an ancient kind of wheat), from our treasured Pioneer Valley Heritage Grains CSA offering all sorts of locally grown dry harvest produce, including rice.

This is a pot of cooked up Einkorn (an ancient kind of wheat), from our treasured Pioneer Valley Heritage Grains CSA offering all sorts of locally grown dry harvest produce, including rice.

A large and lovely leek sizzling in the cast-iron pan

And I also have a large and lovely leek sizzling up in the cast-iron pan directly over the firebox where you get the highest heat. I added just some of the Einkorn to the leeks, I didn’t know I was going to do that but here it looks kind of pretty. I will save the rest of the Einkorn for another dish later in the week, maybe a pot of stew.

My friend and bandmate Addie of Real Pickles fame turned me on to preserving parsley ground up in the food processor with olive oil, and kept in the refrigerator (as long as you put enough olive oil on top to cover it to keep the air out). Parsley is super green and healthy, and adds a great flavor to pretty much any dish. Speaking of pickles, I have made my own spiced pickles here from our garden cucumbers, so I had a thought to slice them up and throw them in with the leeks and einkorn.

local, certified organic grass fed beef

Now we have added a pound of local, certified organic grass fed beef from Wheelview Farm, also on the hot left side of the stove directly over the firebox. The fun thing about a woodstove, is that instead of turning the heat down, you just shove your pan to the right, and there is plenty of room for lots of pans. Or just have a trivet to put your pan on!

All week I have been wanting to use potatoes and although I don’t yet know how this will tie in or what it will be a part of, or if they will be all by themselves, at least I have sliced them up with the cheese slicer. Nice thin little slices that cook up quickly. Into a pan they go, right on top of some nice hot peanut oil-sizzle sizzle. You can see that the darker colored ones might be cooked through by now, but it’s always a mystery what is happening on the backside. About those potatoes – I have discovered a tricky way to flip them all over it once rather than trying to pick at them one at a time with tongs. Simply slide them all into a fresh pan. Then I quickly flip them into the first pan which is still hot, so now they can continue to sizzle on the other side!

nice large platter in the oven to warm up

Although things are getting closer to being cooked I’m still not quite sure how this is going to end up. I’ve decided to put a nice large platter in the oven to warm it up, so it doesn’t cool the food off; I received this platter in trade many years ago at a craft fair for woven goods.

Originally I thought I was going to serve this meal in separate serving dishes but I’ve decided to use one of my beautiful large platters that are seldom used now. Here is a new approach that I came up with for serving just now. I make a nice painting with all of the food, starting by plopping the beans and onions and tomatoes into the middle of the platter. Make a new middle and add the ground beef. And make another hole in the middle of the beef and add the einkorn and leek mixture. And what to do with the potatoes? A nice fresh potato chip ruffle around the whole edge. How did I decide what order? It’s all about the color; I did not want the two greens next to each other, it’s much more dramatic to have the dark color in between.

 

And now the complete table setting, with placemats & napkins from my production weaving past, along with beautiful black stoneware plates that I purchased many years ago, along with amazing “New Mexico” blue glass tumblers by Josh Simpson, also done as a weaving trade many years ago, as well as the stoneware water pitcher. 

There you have it, a whole platter of very simple food really, mostly from our very own garden. I’ve definitely noticed a correlation between eating all of these healthy vegetables and experiencing a healthy feeling in the entire body. And the addition of a beautiful and simple table setting that reminds me of the wonderful craftspersons and friends that I have met over the years adds to the feeling of health and joy as we share this meal.

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